No One told You I was from the Future - Royal College of Art graduate collection 2019.
Working with the resurgence of magic, in the witching hours of the 21st century, She is investigating her reality, forging the unreal from fragments of the real. After graduating from Central Saint Martins with First Honours, Chloe went on new adventures, discovering cultures and skills around the world. She studied her master at the Royal College of Art where she won the RCA's Onno Boekhoudt Travel award to take part in a shamanic training in Bali. This was a turning point in her practice, It permitted her to merge her spiritual beliefs with her studio work.
Her pieces delve in her immersive trance experiences by embracing the animistic vision.
She aims to bring back magical thinking as a strategy to access an altered state of consciousness and enter an alternative reality. Today, Chloe believes the question between fiction and reality is outdated: we live in a porous world where the fine line is disappearing (again). She is interested in this liminality 'in between' in materials, spaces, people...
She is developing her Disco Materialism, merging organic/man-made, fake/imagined, raw material qualities with contemporary digital associations. Photography by Lara Orawski
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No One told You I was from the Future - Royal College of Art graduate collection 2019.
Working with the resurgence of magic, in the witching hours of the 21st century, She is investigating her reality, forging the unreal from fragments of the real. After graduating from Central Saint Martins with First Honours, Chloe went on new adventures, discovering cultures and skills around the world. She studied her master at the Royal College of Art where she won the RCA's Onno Boekhoudt Travel award to take part in a shamanic training in Bali. This was a turning point in her practice, It permitted her to merge her spiritual beliefs with her studio work.
Her pieces delve in her immersive trance experiences by embracing the animistic vision.
She aims to bring back magical thinking as a strategy to access an altered state of consciousness and enter an alternative reality. Today, Chloe believes the question between fiction and reality is outdated: we live in a porous world where the fine line is disappearing (again). She is interested in this liminality 'in between' in materials, spaces, people...
She is developing her Disco Materialism, merging organic/man-made, fake/imagined, raw material qualities with contemporary digital associations.